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"A discovery. What is it?" "It's too late now to bother about denying it, Miss Pat dear," said Elinor soothingly. "It doesn't really matter much, you know, since we three know I didn't copy. After all, it's a very little thing. I'd rather be blamed unjustly than have done such a poor act. Don't feel so badly about it, dear. We can tell our friends that it was a mistake on Mr. Benton's part, and they'll believe us, I'm sure. It doesn't matter for the rest." "That's because it is the first real home you've known," said Elinor. "One always feels that way about a home.".

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"Bad news comes quickly enough in the telling," said the doctor, judicially, "so I shall say nothing more. Life in death is your fate, Mr. Alymer; unless," he added, with a swift and penetrating glance, "you choose to avert the calamity." "You all know," Bruce went on, "that I have been trying an experiment of my favorite theory of art education, but very few of you know how it has progressed. And it is to show you the result that I have lured you here today—to crow over some of you, in fact. The canvas I am going to show you was designed, executed as far as it has gone, entirely by Miss Elinor Kendall, a student of hardly more than nine months' study. The subject is the 'Nativity' and it is designed for a chancel in a small church." "She may even be able to do that," replied Isabella, seriously. "My mother is afraid of her, and is often influenced in her decisions by Dido.".